Category: Resources

Okinawa Sunset Ocean FX – Free Sample Pack

This is a free sample pack of the sound design I made for Okinawa Sunset. Soft risers and impacts made from ocean waves, designed to organically blend in with mellower styles.

Download Okinawa Sunset Ocean FX free sample pack

You can read about the entire process of making these quarantine videos in my retrospective/tutorial.

If you’d like to support me as an artist, the best way to do that is through my bandcamp or by sharing some of my content that you liked!

Continue reading “Okinawa Sunset Ocean FX – Free Sample Pack”
by Brooklyn Rose Ludlow

TOKYO DRIFT – Free Cyberpunk LUTs Pack

This is a collection of LUTs from the performance video for TOKYO DRIFT 2051//雪がそっと降るので. Use them to turn night-time city shots into your own cyberpunk dystopias.

Download TOKYO DRIFT Free Cyberpunk LUTs Pack

You can read about the entire process of making these quarantine videos in my retrospective/tutorial.

If you’d like to support me as an artist, the best way to do that is through my bandcamp or by sharing some of my content that you liked!

Continue reading “TOKYO DRIFT – Free Cyberpunk LUTs Pack”
by Brooklyn Rose Ludlow

Negative Harmony Chord Chart

A chart of the common chords of tonal harmony and their negative harmony mirrors. This isn’t meant to provide an introduction to negative harmony (there are already great resources on that), but instead to provide a reference chart for composers trying to incorporate negative harmonic concepts into their music. It’s also meant to serve as a prequel for upcoming posts on negative mirrors of common chord progressions, turnarounds, and jazz forms.

Continue reading “Negative Harmony Chord Chart”

by Brooklyn Rose Ludlow

Interval Reharmonization Chart

“Every single melody note works with every single bass note”

This is a line from a WIRED video featuring Jacob Collier and Herbie Hancock, but I’ve seen similar ideas espoused in various places. The concept is that for any given pair of bass and melody note, there exists a way to harmonize them. Put another way, there are 12 possible intervals that can exist between a bass and melody note, and each of those intervals fits with at least one chord.

This is a chart of the 12 intervals and all their possible harmonizations that composers can reference when looking to change up their harmony.

Continue reading “Interval Reharmonization Chart”

by Brooklyn Rose Ludlow