<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments for Brooklyn Rose Ludlow	</title>
	<atom:link href="https://www.brltheory.com/comments/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.brltheory.com/</link>
	<description>Jazz &#38; Indie Music Analysis</description>
	<lastBuildDate>Thu, 25 Feb 2021 00:25:32 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	
	<item>
		<title>
		Comment on The Dilla Feel, Part II: The Theory (Quintuplet Swing, Septuplet Swing, and Playing “Off-The-Grid”) by Jacob Thompson		</title>
		<link>https://www.brltheory.com/analysis/dilla-part-ii-theory-quintuplet-swing-septuplet-swing-playing-off-the-grid/#comment-20</link>

		<dc:creator><![CDATA[Jacob Thompson]]></dc:creator>
		<pubDate>Fri, 04 Dec 2020 04:43:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.brltheory.com/?p=783#comment-20</guid>

					<description><![CDATA[Thank you so much for your work.]]></description>
			<content:encoded><![CDATA[<p>Thank you so much for your work.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on The Dilla Feel, Part III: The Grooves (Real-World Examples and Dilla&#8217;s Influence) by Brooklyn		</title>
		<link>https://www.brltheory.com/analysis/dilla-part-iii-grooves-real-world-examples-dillas-influence/#comment-19</link>

		<dc:creator><![CDATA[Brooklyn]]></dc:creator>
		<pubDate>Tue, 03 Nov 2020 03:38:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.brltheory.com/?p=849#comment-19</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.brltheory.com/analysis/dilla-part-iii-grooves-real-world-examples-dillas-influence/#comment-18&quot;&gt;Taha&lt;/a&gt;.

Thank you! That song sounds like it&#039;s close to a triplet swing to me, with maybe some of the notes a little straighter. If you want to find the exact groove, I&#039;d recommend cutting out 1-2 measures in a DAW and rebuilding the drums by looking at the transients in the waveform!]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.brltheory.com/analysis/dilla-part-iii-grooves-real-world-examples-dillas-influence/#comment-18">Taha</a>.</p>
<p>Thank you! That song sounds like it&#8217;s close to a triplet swing to me, with maybe some of the notes a little straighter. If you want to find the exact groove, I&#8217;d recommend cutting out 1-2 measures in a DAW and rebuilding the drums by looking at the transients in the waveform!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on The Dilla Feel, Part III: The Grooves (Real-World Examples and Dilla&#8217;s Influence) by Taha		</title>
		<link>https://www.brltheory.com/analysis/dilla-part-iii-grooves-real-world-examples-dillas-influence/#comment-18</link>

		<dc:creator><![CDATA[Taha]]></dc:creator>
		<pubDate>Mon, 02 Nov 2020 01:36:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.brltheory.com/?p=849#comment-18</guid>

					<description><![CDATA[Absolutely beautiful .. made many concepts easier to understand as im quite a beginner to music theory but i cannot thank you enough for an outstanding analysis .. really comprehensive .. great work 

I had a question about shakers in afro-pop or modern afro-fusion as they sometimes like to call it  
taking a song like (Gbona-Burna Boy) for example .. 
i think the shakers and most of the song as actually swung to a septuplet swing i think but being over a clave gives it a completely different flavor..  do you think it&#039;s a septuplet swing that these african shaker loops use or is it something with less constraints and a abit more flexible you reckon?]]></description>
			<content:encoded><![CDATA[<p>Absolutely beautiful .. made many concepts easier to understand as im quite a beginner to music theory but i cannot thank you enough for an outstanding analysis .. really comprehensive .. great work </p>
<p>I had a question about shakers in afro-pop or modern afro-fusion as they sometimes like to call it<br />
taking a song like (Gbona-Burna Boy) for example ..<br />
i think the shakers and most of the song as actually swung to a septuplet swing i think but being over a clave gives it a completely different flavor..  do you think it&#8217;s a septuplet swing that these african shaker loops use or is it something with less constraints and a abit more flexible you reckon?</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on The Dilla Feel, Part II: The Theory (Quintuplet Swing, Septuplet Swing, and Playing “Off-The-Grid”) by Mateus Silva		</title>
		<link>https://www.brltheory.com/analysis/dilla-part-ii-theory-quintuplet-swing-septuplet-swing-playing-off-the-grid/#comment-16</link>

		<dc:creator><![CDATA[Mateus Silva]]></dc:creator>
		<pubDate>Sun, 30 Aug 2020 12:20:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.brltheory.com/?p=783#comment-16</guid>

					<description><![CDATA[this is just great thank u so much]]></description>
			<content:encoded><![CDATA[<p>this is just great thank u so much</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on The Dilla Feel, Part II: The Theory (Quintuplet Swing, Septuplet Swing, and Playing “Off-The-Grid”) by LowB		</title>
		<link>https://www.brltheory.com/analysis/dilla-part-ii-theory-quintuplet-swing-septuplet-swing-playing-off-the-grid/#comment-15</link>

		<dc:creator><![CDATA[LowB]]></dc:creator>
		<pubDate>Sat, 08 Aug 2020 20:39:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.brltheory.com/?p=783#comment-15</guid>

					<description><![CDATA[This is awesome and really really helpful]]></description>
			<content:encoded><![CDATA[<p>This is awesome and really really helpful</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on The Singers Unlimited &#8211; Jeanie with the Light Brown Hair by brettr2014		</title>
		<link>https://www.brltheory.com/transcriptions/the-singers-unlimited-jeanie-with-the-light-brown-hair/#comment-14</link>

		<dc:creator><![CDATA[brettr2014]]></dc:creator>
		<pubDate>Sun, 17 May 2020 11:14:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.brltheory.com/?p=1110#comment-14</guid>

					<description><![CDATA[marvellous! Amazing writing, very impressive transcription!! Thanks.]]></description>
			<content:encoded><![CDATA[<p>marvellous! Amazing writing, very impressive transcription!! Thanks.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on Interval Reharmonization Chart by Brooklyn		</title>
		<link>https://www.brltheory.com/resources/interval-reharmonization-chart/#comment-13</link>

		<dc:creator><![CDATA[Brooklyn]]></dc:creator>
		<pubDate>Tue, 28 Apr 2020 23:55:13 +0000</pubDate>
		<guid isPermaLink="false">https://brltheory.wordpress.com/?p=297#comment-13</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.brltheory.com/resources/interval-reharmonization-chart/#comment-12&quot;&gt;Eric&lt;/a&gt;.

Thank you! I have replaced the images]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.brltheory.com/resources/interval-reharmonization-chart/#comment-12">Eric</a>.</p>
<p>Thank you! I have replaced the images</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on Interval Reharmonization Chart by Eric		</title>
		<link>https://www.brltheory.com/resources/interval-reharmonization-chart/#comment-12</link>

		<dc:creator><![CDATA[Eric]]></dc:creator>
		<pubDate>Tue, 28 Apr 2020 13:49:48 +0000</pubDate>
		<guid isPermaLink="false">https://brltheory.wordpress.com/?p=297#comment-12</guid>

					<description><![CDATA[Great Job, Thank you, (some pictures are missings)]]></description>
			<content:encoded><![CDATA[<p>Great Job, Thank you, (some pictures are missings)</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on The Dilla Feel, Part II: The Theory (Quintuplet Swing, Septuplet Swing, and Playing “Off-The-Grid”) by Brooklyn		</title>
		<link>https://www.brltheory.com/analysis/dilla-part-ii-theory-quintuplet-swing-septuplet-swing-playing-off-the-grid/#comment-11</link>

		<dc:creator><![CDATA[Brooklyn]]></dc:creator>
		<pubDate>Mon, 27 Apr 2020 06:14:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.brltheory.com/?p=783#comment-11</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.brltheory.com/analysis/dilla-part-ii-theory-quintuplet-swing-septuplet-swing-playing-off-the-grid/#comment-10&quot;&gt;Nave&lt;/a&gt;.

Yes, part 3 has two transcriptions of Dilla tunes that I thought were good examples. You can also check out So Far to Go from The Shining.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.brltheory.com/analysis/dilla-part-ii-theory-quintuplet-swing-septuplet-swing-playing-off-the-grid/#comment-10">Nave</a>.</p>
<p>Yes, part 3 has two transcriptions of Dilla tunes that I thought were good examples. You can also check out So Far to Go from The Shining.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		Comment on The Dilla Feel, Part II: The Theory (Quintuplet Swing, Septuplet Swing, and Playing “Off-The-Grid”) by Nave		</title>
		<link>https://www.brltheory.com/analysis/dilla-part-ii-theory-quintuplet-swing-septuplet-swing-playing-off-the-grid/#comment-10</link>

		<dc:creator><![CDATA[Nave]]></dc:creator>
		<pubDate>Sat, 25 Apr 2020 16:59:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.brltheory.com/?p=783#comment-10</guid>

					<description><![CDATA[Hey, great work! I was wondering if you could share which Dilla tunes are a good example of quin- and septuplet swing. There are so many recordings, and Im parsing through them, but havent really heard anything with a hard wonky beat.]]></description>
			<content:encoded><![CDATA[<p>Hey, great work! I was wondering if you could share which Dilla tunes are a good example of quin- and septuplet swing. There are so many recordings, and Im parsing through them, but havent really heard anything with a hard wonky beat.</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
